Posts Tagged ‘YouTube’

Concert Streaming: Crowd Surf Your Way Online

Monday, January 18th, 2010

You’re almost there. Just a few clicks away. As your clock ticks over to 12:04 you realise your computer is taking an increasingly long time to load. Following much distress, it finally completes its loading with a dreaded HTML error alert. As you then frantically go back to reconfirm, a heart wrenching message reading, ‘Sorry, this concert is now sold out’ appears just as your clock ticks over to 12:05….

This all too common scenario has partly encouraged bands to now create live streaming of concerts. Of course, the profitability of live streaming has been demonstrated nicely by companies such as Ustream and Livestream, but with Facebook starting to get involved in the space and YouTube recently engaging in their own streaming of live concerts, things could be about to get much more interesting.

Online Concerts

As far as online concerts go, a lot has happened in the last month. One of the more memorable events was the Foo Fighters concert: live from studio 606, which was powered by Livestream and accessible through Facebook. Not only did this create a greater level of engagement among fans (as they could contribute to conversations between other fans and friends during the live performance) the concert was able to efficiency target the enthusiasts in the first place by tapping into the various fan pages of the band to generate guest invites. Unsurprisingly, the concert also had huge potential to expand, with each invitee of the 30,000 strong crowd, given the ability to invite their own friends.

Accompanying imageAkin to this, YouTube has also been active, streaming their second major concert (U2 live from Rose Bowl) and combining it with Twitter feeds to generate more traffic into their site. Although the combination of Twitter with live broadcasting means that the content can now be accessible to users, there may be nothing more irritating to the hard core fans than having to divert part of their attention from the concert towards fanatics posting incessant variations of ‘I luv this track’ throughout the duration. As painful as that might sound, it probably paled to the number of users twittering during YouTube’s feature length screening of the classic: Taxi Driver last month (‘Are you talking to me?’ anyone…). Still, you rarely get something for nothing.

Social media integration aside, it’s no surprise that YouTube has been slow to monetise their content. Although getting better at it now – with sponsored videos and related Adwords – the company’s loses are projected to be $470 million this year alone. Even though it’s unlikely that they will move towards charging viewers for their service, all this trialing just might be in anticipation of a change to their classic model of ‘free content on demand for all,’ – but fingers crossed that it’s not.

Despite these recent events, concerts can never be replaced, but it’s inevitable that they will continue to develop a life of their own online. Once this transition moves beyond the experimental stage that it’s in now, and assuming that it avoids charging users per view, the live streams in the future will likely become hugely populated by sponsors. Although the commercial nature might detract from the experience, it will at least hide the costs from the viewers and, in a few years time, may well become an accepted way to ‘attend’ concerts.

Until it reaches this point, I for one am excited about the shift. After all, there’s nothing worse than forking out $120 to see a band play live, only to discover the majority of their songs are from their recent album that you know nothing about. By just linking your computer to a projector with a VGA cable you can essentially create your own concert, in real time, for free, and restrict the screening to your own network of friends.

Of course, with all the moshing going on, you’ll still probably encounter a few sweaty bodies along the way. With this being the case, at least you’ll now know who they all are.

YouTube Junk: We Can Be Heros!

Monday, January 18th, 2010

Watching a surprisingly good Adam Sandler film last week (I can’t believe it either) I saw a very astute and funny scene about YouTube. The film is centered around a group of young stand up comedians trying to make it big. As such, all of them see YouTube as a channel to help showcase their abilities to the masses. One comic cunningly disguises his stand up material under a more popular search title of ‘Kittens’ so that, to the detriment of the viewer, they will be shown random, interjecting clips of his material while the kitten footage is being streamed.

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YouTube: an incredibly democratic form of Social Media



Although sounding half baked, the comic maintains that it had received ‘700,000 hits within 3 days’ and that the link provided in his stand up footage was migrating scores of people to his website. This is then promptly followed by a response from his friend that is fairly unprintable in the context of this site…

While obviously the scene is made to be a satirical take on YouTube, examples of high video views have reaffirmed my belief that outside mainstream video content (highlights of produced movie, music and TV clips) often the most abysmal or mundane content is getting the lion’s share of views. Having said this there’s also lots to be envious of too.

On the subject of abysmal, if you’re at all curious as to what the product of incest from within the Manson family would look like, check out TV Shot to Death. The premise is that a redneck American made a bet with his other redneck mates that his NFL team would not lose to the value of his mates being able to blast his large flat screen TV away with guns if it happened. As you can imagine, the guy lost the fight but won the war, attaining over 650,000 views within a week’s time following the footage of the affair going to YouTube. Although there is not much dialogue (apart from just about every Hick in the clip shouting “Who Dat?” repeatedly) it’s such a depressing five minutes of footage that it almost makes it unmissable. Just watch the clip and you’ll see what I mean.

Now, I like kids just as much as the next guy. Nonetheless I can’t understand how another baby biting the finger of another in Charlie Bit My Finger can amass over 146 million views. Many will disagree, and, tastes aside, I take my hat off to the creators, but I can’t extend the same courtesy to the father of David in David After Dentist. This video collected 45 million hits and documented a 7 year old boy confused after the anesthetic takes hold of him following his trip to the dentist. An opportunistic father or a child actor exceeding his years talent? Given that the father has now set up a website and is trying to flog t-shirts to people who now go to watch the footage, I’m pretty certain it’s a case of the former. To me, this is a bit like raunchy dancing with a sibling; it’s not strictly illegal but it probably should be.

Despite YouTube hosting an overwhelming amount of arguable entertainment, one of the highlights of the channel is its ability to pull artists – who undeniably possess talent – from obscurity. For me Brandon Hardesty is one of them. Having an obvious love for movies, he reenacted over thirty scenes from some of the biggest films, while he worked by day as a cashier. Joe Pesci’s producer one day happened to be searching for Goodfellas impersonations and found his uncanny impression sending him a script for the film he now stars alongside with William H Macy. Quite simply, it’s a modern fairytale not dissimilar to Susan Boyle, Cody Simpson, Lauren Luke and, (unfortunately) Natalie Tran.

Ultimately YouTube’s strength is in allowing anyone to provide online videos to anyone else that’s prepared to view them. Like the internet itself, this comes at a cost of being clogged up with garbage (incidentally YouTubing ‘shooting a TV’ will bring up more than twenty results).

But as they say: One man’s trash is another man’s treasure. So who am I to determine just what the garbage is?

The New Age of Advertising Favors Savvy Over Sloppy.

Monday, January 18th, 2010

Call me crazy, but I have never been a fan of meaningless and unoriginal selling. Needless to say it was not a great thrill receiving an SMS from a major Car manufacturer telling me I had “a few more days left to save thousands off a new model XR105.9_shoot me now”.

Although the above SMS was unexpected, it was the next line reading “to opt out of future specials SMS back STOP” that really ticked me off. The car industry in general is probably the biggest loser from the pending recession, but to approach someone with no prior engagement with your brand and make them pay money for not wanting to receive your arbitrary material seems backward. In stark contrast to this blatant attempt of selling vehicles, the last few weeks have proved that we are rapidly shifting into a new age of advertising; disguised, controversial and, in many ways, about time.

whopper

Whopper sacrifice: bending the rules is the new favourite



‘Return on Investment’. This term gets thrown around a lot but the reality is that the recession has made brands focus on each advertising dollar multiplying itself. Across digital channels the lesson within recent months seems to be: ‘try the latest channel, and if everyone else has already been there – do it differently’. There are definitely channels that are commonly identified by brands that have previously led the way. Think Blendtec or Carlton Draught with Viral marketing, Dell with Facebook, or Audi with iPhone and you’ll see what I mean. The challenge now is to bring more creativity to these campaigns. Recently Burger King in the US released a promotional campaign on Facebook whereby users could obtain a free Whopper by removing ten of their friends from their Facebook account. Aptly named the ‘Whopper sacrifice’, users put their friendships (or acquaintances) to the test by trading them in for one tenth of a burger and then sending a notification to this effect. Watching a friends profile picture spontaneously combust upon sacrificing them may have been the tipping point for Facebook – withdrawing the campaign after less than two weeks on the grounds of ‘philosophical differences’ (news.com.au). Despite its short lifespan, this campaign attracted over 230,000 users, an enormous amount of publicity and provided yet another opportunity to maintain their edgy and unique promotional strategy. (See also Burger King’s Whopper Virgin and Subservient Chicken campaigns). Sometimes you don’t need the precise dollar figures to know your getting more bang for your buck.

Recently, the most attention within Australia has gone to two ‘fake’ PR campaigns running on YouTube. (See ‘Man in the Jacket’ and ‘Best job in the world’). Employing actors and ad agency staff, Witchery and Tourism Queensland (respectively) have defended their tactics saying they were victimless and innovative. I think I agree. However, my uncertainty comes down to how much intelligence I recognise in their viewership. A woman tattooing her arm for the benefit of winning her dream job is victimless until someone decides to emulate this, or worse – up the stakes with an amputation. No doubt these PR stunts have got hundreds of creative people from major brands and agencies racking their brains as to how they can best mislead an audience whist pushing their name out into the public. To these people I say go for it. The element of surprise is one of the most compelling tactics to improve brand recall and push through campaigns. The difficulty is examining all angles to ensure campaigns remain victimless, and that the focus is on creativity as opposed to exploiting the public outcry that will follow.

Where this general campaign trajectory takes us in the future will be interesting. All personalised and unique YouTube videos that provoke any call to action are almost certain to be treated with an air of skepticism. This will make it harder for brands to get the same kind of public reaction – and even harder to pick up strangers you briefly met in a café.

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